![]() ![]() What about all the leftover paint on the palette? If you’ve used a Gel Press plate, then you can use that to make some quick prints. You’ll have to experiment with the amount of paint and pressure to see what works best with the paints you have on hand. If you don’t have or want Flashe paint, you can do this technique with acrylic paint but you’ll have an easier time with it if you use thinner papers like thin book paper or tissue paper. After all, it’s tissue paper and it gets wet from the paint. When you’re using tissue paper with this technique, you need a lot less paint and the super thin paper is delicate and prone to tearing. When you’re doing a print on thinner paper, like the encyclopedia page above and blow, you need less paint because the paper is more absorbent. When you are doing a print on heavier papers, like cardstock, you’ll need more paint. The third factor to keep an eye on is how much of the paint you’re using. The paint behaves like an acrylic in terms of how you apply it, how it clean ups with water, and it dries with a magnificent matte finish. Is it because it’s a vinyl paint? Or is it because it’s made by a 300 year old French company? I don’t know but I do know that there’s something different about this paint compared to acrylic paints when you’re reverse stenciling. But then I found the Flashe paint and wow- what a different it made! I’ve done this technique will all sorts of acrylic paints and medium concoctions and it tends to be a pretty persnickety technique. The second factor is the kind of paint you’re using. Below is an example of what it might look like if there is too light of a pressure. You’ll need to make sure you’re using ample pressure to get the paint to transfer onto your paper. The first big factor to keep in mind is pressure. I’m using the 12×12 size here but you can use any size you’re comfortable with. Loading your stencil up with paint can be done on any kind of paint palette but I prefer to use a Gel Press plate because it enables me to use the leftover paint so it doesn’t get wasted. The video shows the process much better and with more detail, but the gist of it is you put the paint on the back of the stencil and the press it onto paper to get your print. What do you need to know to get that dark reverse print? Keep reading! But it can be a persnickety technique if you don’t know the three important factors that dramatically impact your print.īelow is an example of the Feelings and Emotions 1 stencil used the standard way on the left and reverse, or negative, stenciling on the right. Reverse stenciling enables you to get a very different look from your stencils. ![]()
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